Hazara
Elegy for an African Farm
by
John Conyngham
Occasional Publications imprint
of
The Natal Society Foundation.
PIETERMARITZBURG
In 1977, when John Conyngham was twenty-three, the sugar farm of his childhood and youth was sold. Driven by a sense of loss, he wrote his acclaimed novel The Arrowing of the Cane. Now, decades later, he returns to where his story began, to capture a world before it fades forever. Hazara is a lyrical memoir of a family and a farm. It is about a homestead in a park-like garden among cane fields, within sight of the Indian Ocean. It is about sons fighting in wars and daughters nursing in military hospitals. It is about tennis parties, and drinks on the veranda. It is about people who love Africa but know they don’t fully belong.
About Hazara
After their marriage in 1924, a young couple named Mia and James settle on the Natal coast, just south of the Zululand border, intending to establish themselves and start a family. Before long they name their farm Hazara, after James’s former regiment in the British Indian Army. Like other planters scattered across the countryside, they socialise with neighbours and have visitors to stay in their house with its view eastwards to the Indian Ocean. Then, after a chain of fateful occurrences, into this isolated world of sugar-cane farming, with its horse riding and games of tennis and charades, there arrives from England a girl named Anne. In World War II, James serves in North Africa while Mia and Anne remain on the farm and like other wives and daughters provide a surrogate home for Royal Navy sailors whose ships are undergoing repairs in Durban harbour. Later, back to Natal from flying operations with the Royal Air Force returns a young pilot named Mick, with a family story of his own. He and Anne meet and marry, and over decades transform Hazara into a model estate, but a political showdown is looming and their future seems increasingly uncertain. In the tradition of elegiac memoirs such as Karen Blixen’s Out of Africa, about Anglo-Kenya, and David Thomson’s Woodbrook, about Anglo-Ireland, onto this rural template John Conyngham stitches a lyrical and multi-layered tapestry of Anglo-South African life, with its interwoven destinies shot through with imperial associations, and its divided loyalties and love of the land, to catch a world before it slips from memory.
About John Conyngham
The author, John Conyngham, was born in Durban in 1954 and educated in South Africa, England and Ireland.
He is the author of three novels, The Arrowing of the Cane, which was joint winner of the AA Mutual-Ad Donker Vita Award and winner of the Olive Schreiner Prize and Sanlam Award, The Desecration of the Graves, which was shortlisted for the M-Net Award, and The Lostness of Alice.
Other than in South Africa, his work has been published in the United Kingdom and United States and translated into a number of languages. For thirty-one years he was a journalist on The Witness (formerly The Natal Witness) in Pietermaritzburg, and was from 1994 to 2010 the newspaper’s editor.
He is a former Southern African Poynter Fellow at the Poynter Institute for Media Studies in St Petersburg, Florida, and Reuters Fellow at Oxford University.
He lives in Hilton, KwaZulu-Natal.
Book details
| Publisher: | The Natal Society Foundation | |
| Publication Date: | 2016 | |
| Binding: | Hard-cover with dust jacket, thread-sewn, round back, with green and white head-bands | |
| Text: | 272 pp, illustrated with photographs. | |
| Dimensions: | 17.5 cm × 25 cm × 3 cm | |
| ISBN: | ISBN 978-0-9921766-8-6 | |
| Price: | R150 | |
| Editor: | Christopher Merrett | |
| Indexer: | Christopher Merrett | |
| Design and Lay-out: | Jo Marwick | |
| Printed by: | Pinetown Printers, Pinetown |
